Fitness Program Offers Solution To Disadvantaged Teens in Camden

A Crossfit guru is using fitness to change Camden’s outlook. What started as a small-operation gym in a borrowed space has turned into a growing national chain that aims specifically at impoverished youth.

Steve’s Club has served as a crossfit hub and community empowerment center in Camden for five years.

For gym founder Steve Liberati, the club was his mission to bring out motivation in kids with few resources. Living in Camden — one of the most dangerous cities in the U.S. — was an opportunity to give back to a place that remains poverty-stricken.

“I got to meet a lot of kids and got to learn they have a lot of similar backgrounds, motivation, goals and dreams,” said Liberati. “They just didn’t have the means or the support they needed to succeed.”

Established in 2007, Steve’s Club provides low-cost and free fitness programs, like Crossfit training, for teens coming from tough neighborhoods and family situations. According to the Steve’s Club’s website, the club allows students to train alongside community members, like firefighters, lawyers, doctors and businessmen.

Those with income less than $15,000 are three times more likely to live sedentary lifestyles, reports Bristol-Myers Squibb. The same report suggests cites lack of access to recreation sites along with a general perception of an unsafe neighborhood as large factors in reduced physical activity for people with low-income. The use of exercise in low-income areas could be a solution to disproportionate health problems among low-income people.

The President’s Council on Fitness, Sports & Nutrition reports that 45 percent of children living in poverty are overweight or obese compared to 22 percent of children in households earning four times the poverty level.

The growing concerns for children’s health seems amplified in areas without as many resources, so Steve’s Club opened another 16 locations nationwide in cities with unique socio-economic disadvantages. Liberati hopes to see improvement in those communities.

“Hopefully what they learn here they can apply to other aspects in life,” Liberati said.

Originally posted on NBC10.com

Why? @ Union Transfer.

Why? came to Philadelphia last week and proved that frontman Yoni Wolf could probably rewrite the standard for prancersize.

Why? is on tour for about two weeks but not to promote an album. This short fall tour seems like Why?’s way to keep a strong fan base and have some fun performing. And they really do always look like they’re having a ton of fun.

The band draws longtime fans who sing their hearts out to every obscure song, even ones from Rubber Traits, a 2006 EP not everyone could place. Not surprisingly, Why? played their hot sing-alongs like “The Vowels, pt. 2” from Alopecia and “Strawberries” from Mumps.

“It’s always great to come back here,” said Yoni Wolf. “We have family here. Our parents are from here. It really does feel like coming home.”

The audience was mostly quirky-looking people of all ages. Awkward dancing was the common trait, as though the crowd was trying to emulate Yoni Wolf’s stage personality.

Preceding Why? was an ‘80s inspired ambient group, Grimace Federation. The Philly-based duo built on their downbeat trance songs slowly over 20 minutes until suddenly, the room was as energetic as a Lady Gaga concert. The lights flickered lightly over the crowd, getting brighter and more consistent as the group went on.

Dessa followed with powerful vocals and solid band backing. Margret Wander, known as “Dessa Darling” on stage, performed original songs with a sick flow and thoughtful harmonies with her backup singer, Aby Wolf. The group had its own fans at the show. Dessa was more than an opener for a lot of people that night.

Originally posted on JumpPhilly.com

Uncle Acid and the Deadbeats with DANAVA @ Underground Arts.

Six TVs sat on stage, all tuned to static. Uncle Acid was in town.

Uncle Acid and the Deadbeats are touring North America for the first time and they kicked it all off last week at Underground Arts.

The English band drew a line around the block early. People shivered anxiously, with excited talk of seeing Uncle Acid and the Deadbeats for the first time live buzzing throughout the night.

When they finally took the stage, Uncle Acid played fan favorites like “Mind Crawler” from Mind Control and “Over and Over again” from Blood Lust.

“I believe in Uncle Acid,” yelled one passionate fan halfway through the show.

“I believe in you, Philadelphia,” said Kevin Starrs, the lead singer and guitarist.

The bandmates’ faces stayed nearly hidden for the entire two-hour set. Their feet were planted by their mics, except during a few rogue stomps. Uncle Acid’s first U.S. tour started well.

Opening for the band was the heavy metal/psychedelic rock group DANAVA. With amps cranked to full volume, DANAVA riffed hard with no real setlist. Occasionally, one bandmate would suggest the next song and the rest would just follow. The group performed a variety of hits from their four albums but “Longdance” from their self-titled album gained the most movement.

Dressed in women’s jeans and sporting hair down to their hips, the DANAVA bandmates’ ear-numbing act was a strong introduction Uncle Acid’s all-American tour.

Originally posted on JumpPhilly.com

 

Where Religion, History and Art Meet in Philadelphia

Christ Neighborhood Church is located in the perfect nook for a historical building to grow vines and rest for centuries unseen. Just half a block from second and Market st., Christ Neighborhood would be a great spot for “adventurous” tourists to sneak back and take photos of, but this location is not an abandoned spot in the historical neighborhood and it is not primarily snatching up tourists. The building, renovated in 2010, serves as a host to experimental artists and churchgoers alike: a conglomerate of daily Alcoholics Anonymous meetings, contemporary performances and holy practice in an office space meets American foundation building.

 

 

After the 2010 renovation, Anna Drozdowski joined the neighborhood church as the director of programs. “People have been using the neighborhood house since the ’80s,” she notes. “More often we do new and experimental work. The majority of the people that we have here rent the space.” Continue reading

Tangle Movement Arts: Feminism In Action

Tangle Movement Arts is seven-person circus that combines movement with themes of passion and diversity.

The Philadelphia-based group just performed Timelines, which suspends the audience from all predisposed conception of time and reality. The group will performing again on May 3rd, 2014.

Tangle Movement Arts from Greta Iverson on Vimeo.